The romance is beautifully drawn in this tale of two couples whose lives overlap at a Northern Irish manor house, a century apart

Time is layered in Northern Irish writer David Park’s latest novel. The past ever present, it underpins but also threatens to undermine the two protagonists. The story opens in present-day Belfast, with Alex, a man caught up in wedding plans. He loves his Ellie, but doesn’t love all the fuss over venues and seating arrangements. The pair are paying a visit to the Manor House, a grand hotel outside the city; Ellie has her heart set on the boathouse by the lake for their reception, and wants Alex to feel the same excitement. This first chapter finds him distracted, though. Impatient with deadlines and invitations, but also keen just to be married; more specifically, to let go of his old life and his old pals from his single days. We’re not told why, only that he is tired of “all the pretences and games” and that marriage represents his “best opportunity to loosen the connection”.

Chapter two returns us to the same place but a century earlier. The Manor House is home to the Remingtons, and the lake and boathouse of Ellie’s future dreams are as yet under construction, under the supervision of George Allenby. A young architect, George is also a veteran of the first world war. The fighting is not long over and he, too, would rather put his past behind him. But the lake excavation and the daily sight of his workers in the mud and rain is proving an awful reminder of the trenches. There, he was an officer; here he is once again in charge of men. George is sorely aware of their toiling, and the precarity of their employment set against the wealth of the Remingtons. George’s employers are new money, and he finds himself embarrassed at their ambitions to pass as landed gentry. He knows the lake he is constructing is part of this: a charade doomed to failure.